Electronic Drum Set
Electronic Drum Set
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 Electronic Roll Up Drum Pad Set  US $12.50
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 Roland SPD 20 PD 11 RARE VINTAGE 80s ELECTRONIC KICK DRUM EXCELLENT CONDITION US $770.00
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 Ueberschall STUDIO WORKS PLUS BONUS LIBRARY Soul Acid Funk Nu Jazz Samples US $99.99
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 Roland HD 1 V Drums Lite Kit Electronic Drum Set Works Perfect Amazing Sounds US $399.95
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 YAMAHA YDD 40 DIGITAL PERCUSSION MACHINE BONUS AC ADAPTOR INCNIB FACTORY SEALED US $57.50
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 Rims Headset Portable Drum Set Kit US $750.00
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 Toy Drum Set Electric Guitar Music Instruments Play Set Boys Girls Kids Playset US $29.95
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 Yamaha DGX230 DGX 230 Portable USB Electronic Keyboard 76 Keys Graded Soft Touch US $219.95
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 Simmons SD7PK US $450.00
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 PROFESSIONAL 6 PIECE ELECTRONIC DRUM SET US $1,199.00
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 5 PAD DIGITAL DRUM SET NIB US $24.99
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 Roland Electronic Drums TD 7 Roland E 14 Keyboard PA 800W Amp Mixer US $1,575.00
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 Akai XR20 US $137.00
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 Rogers 16X16 Floor Tom E206 US $100.00
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 Alesis DM10 Studio Kit Dual Zone Electronic Drum Pads US $21.50
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 Classic Keys E MU Vintage analog synthesizer module 32 voice Great Shape US $299.00
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 Trick 4 Piece Custom Built Drum Set US $405.00
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 ALESIS DM10 STUDIO KIT Pro 6 Piece Electronic Drum Set US $837.99
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 TC Electronic M300 Digital Effects Processor US $125.00
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 Roland FD7 Hi Hat Controller US $30.00
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 Ensoniq SD1 Electronic Synthesiser Keyboard US $499.00
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 32 1 4 BALANCED STEREO GUITAR CABLE CORD EFFECTS PEDAL US $18.99
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 Yamaha STAGEPAS 500 500 Watt Portable PA w 10 Channel Mixer US $850.00
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 CAD M179 Mic Shockmount Cable Filter Case US $199.99
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 Roland SPD30 Octapad and Mounting Plate US $293.00
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 Sound X SMI 1458 Electronic Drum Set US $318.00
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 Yamaha PSR E323 Electronic Keyboard BUNDLE excellent condition US $153.95
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 ROLAND PD 7 Electronic Drum Trigger PAIR US $50.00
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Mickey Hart brings three-hour jam to Musikfest Cafe (entertainment)
The Mickey Hart Band is all about the groove, as it showed Thursday night in
the Musikfest Café at Bethlehem’s SteelStacks. Hart, a former drummer for the
Grateful Dead, brought in a lot of his former band’s sound, while adding
original songs and an emphasis on percussion
Roland TD-9 Electronic Drum Kit by Amy McGinnis
Cha Cha - Mozambique - History And Development Drummers Guide by Eric Starr
Cha Cha is either danced to authentic Latin music, or more contemporary Latin Pop or Latin Rock. The music for the ballroom Cha Cha is energetic and with a steady beat. Cha Cha rhythm and style was developed by musicians and dancers desiring a slowed down (half time) version of a Mambo, taking it back to its roots in Danzon. Enrique Jorrin is credited with inventing and naming the Cha Cha in 1951. Its popularity reached a peak during that decade in dance clubs throughout Cuba and the United States. One of the most widely recognized Cha Chas in Latin and American pop music is "Oye Como Va" ("Listen How It Goes," written by Tito Puente, further popularized by Carlos Santana). As in other Afro Cuban rhythm styles, the drum set player takes on the roles of several percussionists at once. The defining sound of the style is the repetitive quarter notes on the Cha Cha bell (sometimes referred to as the "Cha bell" usually played by the ride hand).
In addition, a conga pattern (played between the snare and the high tom), and the bass drum pattern complimenting the bass player, help distinguish this rhythm style. Cha Cha is generally played at a medium tempo starting around quarter note = one hundred and ten bits per minute. Mozambique, one of the more modern styles in Afro Cuban music, can be attributed to a single individual, Pedro lzquierdo ("Pello el Afroka'n"). Following the Cuban revolution of 1959, lzquierdo sought to create a musical style combining many Afro Cuban and African rhythms: Abakwa, Yoruba, Congo, Carabali, and Jiribilla.
The original style employed a large percussion ensemble. According to lzquierdo, "The Mozambique is played with 12 conga drums, played by five conga drummers, two bass drums, three bells, a frying pan, four trumpets, and three trombones." The Mozambique immediately achieved overwhelming popularity after its Cuban television debut in July 1963. Pianist Eddie Palmieri is credited as being the first to develop it in North America. After hearing a Cuban Mozambique played on the radio, Palmieri and drummer Manny Oquendo created what has become the North American (specifically, New York City) version of the rhythm and style. Other musicians and other artists to explore the Mozambique include Issac (sic) Delgado, Carlos Santana, and finally Paul Simon with the song "Late in the Evening" (1980), played by the innovative drummer Steve Gadd.
The Mozambique for drum set is as follows: The ride hand plays a bell pattern (slightly different from the Cascara rhythm) known as the "Mozambique bell pattern." The snare hand replicates the conga pattern, while the hi hat foot and bass drum typically play simple rhythms. The "'Steve Gadd" variation (variation 1), which is a fusion of an Afro Cuban style and contemporary pop music, follows the main example. The original Cuban Mozambique is shown in variation 2. It differs to a notable degree from the Mozambique that emerged in North American music. All three Mozambique patterns are based on a 2-3 rumba clave rhythms, and, for more advanced playing, can also employ the hi hat foot rumba clave simultaneously. The groove is a two measure, up tempo pattern usually starting around quarter note = two hundred bits per minute.
By Eric Starg. Eric is using Pro Mark drum sticks on Electronic Drums, and favors Roland V Drums and Tama Drum Throne. Eric is an active member of Drum Solo Artist where he is answering drum related questions, and helping drummers with tips and advices.
Article Source: http://www.earticlesonline.com/Article/Cha-Cha---Mozambique---History-And-Development-Drummers-Guide/256034
